Kategorie: installation

  • Payment unsuccessful and Handles at M26

    Payment unsuccessful and Handles at M26

    I have shown new works Payment unsuccessful and Handles. M26 in the Kunsthalle Oktogon, University for Visual Arts Dresden, Post Graduate Degree exhibition.

    Payment unsuccessful, 2026 is an installation made up of wood, ceramic, brick, mirror

    it is about 90cm x 215cm and 100 cm x 250 cm big.

    Two facing adjacent walls face eachother. One 

    covered with mirrors and a handmade sink. The other with handmade ceramic tiles. This piece stems from the work  Responsibility is the ability to respond. On the tiles is written in backwards writing 

    Payment unsuccessful. It refers to my financial 

    situation and how it worries me waking up to face myself every morning.

    But lets face it. The personal is politcal. The viewer finds their reflection and becomes a part of the art work, leaving the meaning open.

    This piece is called Handles, 2026

    My lonely mom world, has evolved into something

    that is not just particular to my perspective

    and position as a mother artist, but it is

    a commonality we all might share. Handles

    leaves open to reference how we might all

    handle this situation of uncertainy.

    We’re not just reaching for support, we’re

    climbing the ladder and tugging on the handles,

    although everything is ultimately tangled

    together. Not knowing what the results will be.

    The white refers to a call for surrender, and

    still even the knotted bedsheets, are ready for

    an escape.

  • Towers

    Towers

    2022, Towels and metal, five times ca. 350 cm x 50cm

    The towers of neatly folded towels, burp cloths and flannels
    are stacked metres high. The bright colours of the washcloths
    can in no way conceal the nerve-racking thought of never-
    ending housework. In her artistic work, Angelina Seibert
    deals with her personal role as a mother of three children. The
    challenge of running a household as a mother of three and at
    the same time, working as an independent artist, opens up a
    broad spectrum of experiences of adversity, barriers and pol-
    itics for Angelina Seibert, from which she draws upon artisti-
    cally.
    With multimedia works and performances, in which she
    often works with the motif of repetition, the exercise of main-
    tenance work or the involvement of her family as actors, she
    makes the realities of housework, care work and education
    visible: What does it mean to be a good housewife, mother and
    at the same time a good artist? What expectations must you
    live up to? What protocol does one have to follow? Which of
    our own patterns and traumas accompany us and how are
    these passed on to the next generation?

    Kunsthaus Dresden

  • Overextending myself and allocating awareness at real eyes realise real lies, HfBK Dresden

    Overextending myself and allocating awareness at real eyes realise real lies, HfBK Dresden

    Allocating awareness 2025

    inkjet on Kappa plate, dust sweeper,
    building blocks, Lego
    50 x 80 x 30 cm x2

    This is the sister piece to overextending myself.

    I wanted to make life-size

    elements of myself on which
    where I am frozen in time,
    while I clean something in the room.

    I wonder from which perspective the individual
    perspective from which the individual parts of me

    are working (and distributed).

    Overextending myself 2025

    inkjet on Kappa plate, dust sweeper, tea towels
    120 x 280cm

    On entering the gallery space
    we talked about the disturbance caused by
    this very large heating element. I
    wanted to install it in a work immediately.
    This is where I got frozen in time

    overextended myself to fulfill the needs
    and solve the problem

    this white cube nightmare
    Solving it by being responsible
    and dusting it off.

  • So shoot me

    So shoot me

    2021, Target sheets with red thread, metal pole with zip ties

    This is my version of a Gobelin Tapestry inspired by gender roles and domestic violence.

Angelina Seibert
Datenschutz-Übersicht

Diese Website verwendet Cookies, damit wir dir die bestmögliche Benutzererfahrung bieten können. Cookie-Informationen werden in deinem Browser gespeichert und führen Funktionen aus, wie das Wiedererkennen von dir, wenn du auf unsere Website zurückkehrst, und hilft unserem Team zu verstehen, welche Abschnitte der Website für dich am interessantesten und nützlichsten sind.