Autor: angelinainblue22

  • Mystery girl

    Mystery girl

    2013, while living at the Wagenhalle in Stuttgart. Sarah Beekmann and I ran around the lot while she filmed with her 16 mm camera- this is the result. The title stems from the song Mystery girl by the Yeah Yeah Yeahs. So be sure to have that in mind while viewing this.

  • Reflecting FLINTA* Perspectives 2024

    Reflecting FLINTA* Perspectives 2024

    FLINTA* PERPECTIVES (16.3. – 5.4.2024)
    During the month of Feminist Fight day/ International Women’s Day, the exhibition “Reflecting FLINTA Perspectives” presents a collaboration between BIAS Contemporary FLINTA* Project (Dresden) and the FLINTA* members of Kunstverein ROTER KEIL (Graz).
    Reproduction is a central concept, with many artists exhibiting reproductions of work, and reflecting themes such as reproduction of the self, reproduction of violence, reproduction of life.
    ARTISTS: Amalija Lalić Stanić, Angelina Seibert, Anja Herzog, Antje Meichsner, Belinda Winkler, Caroline Beach, Deborah Geppert, Dina Zaitev, Eve Prechtl, Friederike Butter, Hannah Doepke, Helene Thümmel, Lotte Dohmen, Lisa Maria Baier, Mia Heidler, Maria Schneider, Noemi Durighello, Olya Kroytor, Patricia Westerholz, Ren Aldridge, Suntje Sagerer, Yulia Ostheimer
    LOCATION: KEIL Gallery, Idlhofgasse 62, 8020 Graz
    OPENING: 15.3.2024, 19:00
    OPENINGHOURS: 16.3. – 5.4.2024, MI -SA: 15-18 Uhr

  • Atelier Art DASS grand opening

    Darius Sidlauskas & Angelina Seibert Ateiler and Workshop house

    In the summer of 2023 we opened up our Atelier/Studio/Workshop house and took part in the Kultur Sommer im Silberland program in which I hosted a collage workshop for children and adults and also celebrated our opening with a small exhibition, with our works and the work produced at the collage workshop.

  • No Mistakes

    No Mistakes

    video

    In slow motion, a carpet beater, similar to one you may remem-
    ber from your grandparents’ household, slaps a bare bottom.
    But instead of leaving painful skin behind, the tool shatters
    into a thousand pieces—luckily! For Angelina Seibert, the car-
    pet beater with its curved and intertwined ornamentation
    symbolises infinity: continuously, the beater tries to spank the
    bottom. A gesture of chastisement—one was not obedient,
    one was not virtuous enough… physical or corporal punish-
    ments are means that are frowned upon today. Yet it is the
    metaphor of a patriarchy that at times very persistently tries
    to beat her, which the artist transfers into the works Green
    and Blue and Carpet Beater, but certainly not without a wink.

    https://kunsthausdresden.de/wp-content/uploads/2023/01/230308_Closeness_Guide_EN_FINAL.pdf
  • Teppichklopfer

    Teppichklopfer

    Carpetbeater 2022, Silicone

    This Carpet beater, used to beat the rugs to rid them of dust and dirt shares the same qualities as a celtic symbol of eternity: The Trinity knot. The work goes on and on. The beating out of impurities. In this silicone sculpture, it has been transformed into a dildo that is ejeculating. This was my response to woman’s rights being taken away. This is my own symbol of the patriarchy in America today.

  • So shoot me

    So shoot me

    2021, Target sheets with red thread, metal pole with zip ties

    This is my version of a Gobelin Tapestry inspired by gender roles and domestic violence.

  • Porcelain moldy lemons

    Porcelain moldy lemons

    2019-

    Works are inspired by the time it takes until something good can turn rotten. Having ideas to work with lemons, buying lemons, only to finally get to the project and find them already spoiled. Using the making lemonade out of lemons anology, it was important for me to keep that moment. A slight change in perspective. Thats what #motherhood is all about. Using time wisely, getting things done for yourself. Knowing there are mistakes, reality of mold. Mistakes judged by the perfectionism of society standards. This is my work honoring that.

  • Daily Patterns ( Series )

    Daily Patterns ( Series )

    gestapelte Handtücher, oil painting on canvas paper (Hahnemuehle) A4/A3 2022-

Angelina Seibert
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