2013, while living at the Wagenhalle in Stuttgart. Sarah Beekmann and I ran around the lot while she filmed with her 16 mm camera- this is the result. The title stems from the song Mystery girl by the Yeah Yeah Yeahs. So be sure to have that in mind while viewing this.
FLINTA* PERPECTIVES (16.3. – 5.4.2024) During the month of Feminist Fight day/ International Women’s Day, the exhibition “Reflecting FLINTA Perspectives” presents a collaboration between BIAS Contemporary FLINTA* Project (Dresden) and the FLINTA* members of Kunstverein ROTER KEIL (Graz). Reproduction is a central concept, with many artists exhibiting reproductions of work, and reflecting themes such as reproduction of the self, reproduction of violence, reproduction of life. ARTISTS: Amalija Lalić Stanić, Angelina Seibert, Anja Herzog, Antje Meichsner, Belinda Winkler, Caroline Beach, Deborah Geppert, Dina Zaitev, Eve Prechtl, Friederike Butter, Hannah Doepke, Helene Thümmel, Lotte Dohmen, Lisa Maria Baier, Mia Heidler, Maria Schneider, Noemi Durighello, Olya Kroytor, Patricia Westerholz, Ren Aldridge, Suntje Sagerer, Yulia Ostheimer LOCATION: KEIL Gallery, Idlhofgasse 62, 8020 Graz OPENING: 15.3.2024, 19:00 OPENINGHOURS: 16.3. – 5.4.2024, MI -SA: 15-18 Uhr
Darius Sidlauskas & Angelina Seibert Ateiler and Workshop house
In the summer of 2023 we opened up our Atelier/Studio/Workshop house and took part in the Kultur Sommer im Silberland program in which I hosted a collage workshop for children and adults and also celebrated our opening with a small exhibition, with our works and the work produced at the collage workshop.
In slow motion, a carpet beater, similar to one you may remem- ber from your grandparents’ household, slaps a bare bottom. But instead of leaving painful skin behind, the tool shatters into a thousand pieces—luckily! For Angelina Seibert, the car- pet beater with its curved and intertwined ornamentation symbolises infinity: continuously, the beater tries to spank the bottom. A gesture of chastisement—one was not obedient, one was not virtuous enough… physical or corporal punish- ments are means that are frowned upon today. Yet it is the metaphor of a patriarchy that at times very persistently tries to beat her, which the artist transfers into the works Green and Blue and Carpet Beater, but certainly not without a wink.
This Carpet beater, used to beat the rugs to rid them of dust and dirt shares the same qualities as a celtic symbol of eternity: The Trinity knot. The work goes on and on. The beating out of impurities. In this silicone sculpture, it has been transformed into a dildo that is ejeculating. This was my response to woman’s rights being taken away. This is my own symbol of the patriarchy in America today.
Works are inspired by the time it takes until something good can turn rotten. Having ideas to work with lemons, buying lemons, only to finally get to the project and find them already spoiled. Using the making lemonade out of lemons anology, it was important for me to keep that moment. A slight change in perspective. Thats what #motherhood is all about. Using time wisely, getting things done for yourself. Knowing there are mistakes, reality of mold. Mistakes judged by the perfectionism of society standards. This is my work honoring that.