Angelina Seibert

Schlagwort: gender roles

  • divine feminine affirmations

    divine feminine affirmations

    2024 Video Performance ca. 15 min

    In this 15 minute performance, I recite a divine feminine affirmations meditation while folding laundry..  

    I am a sacred being.

    I am tuned into my sensuality.

    I love my Body.

    More and More I exude beauty and grace.

    I am a sacred being. I enjoy my sexuality. I fall inlove with my beauty. I am fully embodied, I relish in my sexual feelings. I am a sacred being. I embrace my emotions with love. I am open to intimacy and sacred touch. I honor my desires in a nurturing way. I feel pleasure in my body. I am receptive. My feminine nature enjoys movement and flow. I am a sacred being. I connect with others with ease now. I feel safe being connected. I honor my sexual desires. Like water I am powerful, fluid and flexible. I am a sexual being. I allow myself to enjoy the sweetness of life. As a woman I have incredible attracting powers. I feel my desires now, I am aware. I am a sacred being. I admire my favorite places of my body. It is safe for me to feel all of my feelings. In relationships I maintain my own goddess center. I feel empowered in my feminine nature. Healing energy flows through my womb space. I am a sacred being.

    I recite the affirmations until I am no longer visible, but you can still hear me

  • Real eyes realize real eyes

    Real eyes realize real eyes

    Allocating awareness 2025

    inkjet on Kappa plate, dust sweeper,
    building blocks, Lego
    50 x 80 x 30 cm x2

    This is the sister piece to overextending myself.

    I wanted to make life-size

    elements of myself on which
    where I am frozen in time,
    while I clean something in the room.

    I wonder from which perspective the individual
    perspective from which the individual parts of me

    are working (and distributed).

    Overextending myself 2025

    inkjet on Kappa plate, dust sweeper, tea towels
    120 x 280cm

    On entering the gallery space
    we talked about the disturbance caused by
    this very large heating element. I
    wanted to install it in a work immediately.
    This is where I got frozen in time

    overextended myself to fulfill the needs
    and solve the problem

    this white cube nightmare
    Solving it by being responsible
    and dusting it off.

  • Etwas Ausbaden Performance

    Etwas Ausbaden Performance

    BIAS FLINTA projects room in cooperation with Darius Sidlauskas ( ART DASS), Dresden

    Visual Portfolio, Posts & Image Gallery for WordPress

    Two people running around in a circle for over an hour. One person is marching from bucket to bucket filled with mud and dirt, while the other person is cleaning the mess from behind only for it to be walked over again. The cycle continues. The two people in the room are loud. The marching is almost like a machine, pounding away. The person cleaning is sighing from exhustion and breathing heavily due to the cleaning effort. Both people to tired from the marching and the cleaning but continue on. The person doing the cleaning is hanging up the sheets used, creating a barrier, a wall. Viewers can no longer see the people caught cleaning and marching. Etwas Ausbaden is german for to take the blame, to pay for it. While upon hearing the phrase, I noticed how odd it is that it has something to do with the dirty bath water. I learned that families in the past shared a bath. The man of the house would go first to bathe in the clean water, and so on the heirarchy of the family had to bathe in the dirty water of who came before. The one who is last, normally the slave child who bears the brunt and has to also clean the bath at the end. This system, is still very much how we structure our lives around still, and it is us, who have to pay for it and pour out the dirty water.

  • Towers

    Towers

    2022, Towels and metal

    Visual Portfolio, Posts & Image Gallery for WordPress

    The towers of neatly folded towels, burp cloths and flannels
    are stacked metres high. The bright colours of the washcloths
    can in no way conceal the nerve-racking thought of never-
    ending housework. In her artistic work, Angelina Seibert
    deals with her personal role as a mother of three children. The
    challenge of running a household as a mother of three and at
    the same time, working as an independent artist, opens up a
    broad spectrum of experiences of adversity, barriers and pol-
    itics for Angelina Seibert, from which she draws upon artisti-
    cally.
    With multimedia works and performances, in which she
    often works with the motif of repetition, the exercise of main-
    tenance work or the involvement of her family as actors, she
    makes the realities of housework, care work and education
    visible: What does it mean to be a good housewife, mother and
    at the same time a good artist? What expectations must you
    live up to? What protocol does one have to follow? Which of
    our own patterns and traumas accompany us and how are
    these passed on to the next generation?

    https://kunsthausdresden.de/wp-content/uploads/2023/01/230308_Closeness_Guide_EN_FINAL.pdf

    The towers of neatly folded towels, burp cloths and flannels
    are stacked metres high. The bright colours of the washcloths
    can in no way conceal the nerve-racking thought of never-
    ending housework. In her artistic work, Angelina Seibert
    deals with her personal role as a mother of three children. The
    challenge of running a household as a mother of three and at
    the same time, working as an independent artist, opens up a
    broad spectrum of experiences of adversity, barriers and pol-
    itics for Angelina Seibert, from which she draws upon artisti-
    cally.
    With multimedia works and performances, in which she
    often works with the motif of repetition, the exercise of main-
    tenance work or the involvement of her family as actors, she
    makes the realities of housework, care work and education
    visible: What does it mean to be a good housewife, mother and
    at the same time a good artist? What expectations must you
    live up to? What protocol does one have to follow? Which of
    our own patterns and traumas accompany us and how are
    these passed on to the next generation?

    Kunsthaus Dresden

  • So shoot me

    So shoot me

    2021, Target sheets with red thread, metal pole with zip ties

    This is my version of a Gobelin Tapestry inspired by gender roles and domestic violence.

Angelina Seibert
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