Schlagwort: perfectionism

  • Etwas Ausbaden Performance

    Etwas Ausbaden Performance

    BIAS FLINTA projects room in cooperation with Darius Sidlauskas ( ART DASS), Dresden

    Two people running around in a circle for over an hour. One person is marching from bucket to bucket filled with mud and dirt, while the other person is cleaning the mess from behind only for it to be walked over again. The cycle continues. The two people in the room are loud. The marching is almost like a machine, pounding away. The person cleaning is sighing from exhustion and breathing heavily due to the cleaning effort. Both people to tired from the marching and the cleaning but continue on. The person doing the cleaning is hanging up the sheets used, creating a barrier, a wall. Viewers can no longer see the people caught cleaning and marching. Etwas Ausbaden is german for to take the blame, to pay for it. While upon hearing the phrase, I noticed how odd it is that it has something to do with the dirty bath water. I learned that families in the past shared a bath. The man of the house would go first to bathe in the clean water, and so on the heirarchy of the family had to bathe in the dirty water of who came before. The one who is last, normally the slave child who bears the brunt and has to also clean the bath at the end. This system, is still very much how we structure our lives around still, and it is us, who have to pay for it and pour out the dirty water.

  • Towers

    Towers

    2022, Towels and metal

    The towers of neatly folded towels, burp cloths and flannels
    are stacked metres high. The bright colours of the washcloths
    can in no way conceal the nerve-racking thought of never-
    ending housework. In her artistic work, Angelina Seibert
    deals with her personal role as a mother of three children. The
    challenge of running a household as a mother of three and at
    the same time, working as an independent artist, opens up a
    broad spectrum of experiences of adversity, barriers and pol-
    itics for Angelina Seibert, from which she draws upon artisti-
    cally.
    With multimedia works and performances, in which she
    often works with the motif of repetition, the exercise of main-
    tenance work or the involvement of her family as actors, she
    makes the realities of housework, care work and education
    visible: What does it mean to be a good housewife, mother and
    at the same time a good artist? What expectations must you
    live up to? What protocol does one have to follow? Which of
    our own patterns and traumas accompany us and how are
    these passed on to the next generation?

    https://kunsthausdresden.de/wp-content/uploads/2023/01/230308_Closeness_Guide_EN_FINAL.pdf

    The towers of neatly folded towels, burp cloths and flannels
    are stacked metres high. The bright colours of the washcloths
    can in no way conceal the nerve-racking thought of never-
    ending housework. In her artistic work, Angelina Seibert
    deals with her personal role as a mother of three children. The
    challenge of running a household as a mother of three and at
    the same time, working as an independent artist, opens up a
    broad spectrum of experiences of adversity, barriers and pol-
    itics for Angelina Seibert, from which she draws upon artisti-
    cally.
    With multimedia works and performances, in which she
    often works with the motif of repetition, the exercise of main-
    tenance work or the involvement of her family as actors, she
    makes the realities of housework, care work and education
    visible: What does it mean to be a good housewife, mother and
    at the same time a good artist? What expectations must you
    live up to? What protocol does one have to follow? Which of
    our own patterns and traumas accompany us and how are
    these passed on to the next generation?

    Kunsthaus Dresden

  • No Mistakes

    No Mistakes

    video

    In slow motion, a carpet beater, similar to one you may remem-
    ber from your grandparents’ household, slaps a bare bottom.
    But instead of leaving painful skin behind, the tool shatters
    into a thousand pieces—luckily! For Angelina Seibert, the car-
    pet beater with its curved and intertwined ornamentation
    symbolises infinity: continuously, the beater tries to spank the
    bottom. A gesture of chastisement—one was not obedient,
    one was not virtuous enough… physical or corporal punish-
    ments are means that are frowned upon today. Yet it is the
    metaphor of a patriarchy that at times very persistently tries
    to beat her, which the artist transfers into the works Green
    and Blue and Carpet Beater, but certainly not without a wink.

    https://kunsthausdresden.de/wp-content/uploads/2023/01/230308_Closeness_Guide_EN_FINAL.pdf
  • Teppichklopfer

    Teppichklopfer

    Carpetbeater 2022, Silicone

    This Carpet beater, used to beat the rugs to rid them of dust and dirt shares the same qualities as a celtic symbol of eternity: The Trinity knot. The work goes on and on. The beating out of impurities. In this silicone sculpture, it has been transformed into a dildo that is ejeculating. This was my response to woman’s rights being taken away. This is my own symbol of the patriarchy in America today.

  • Porcelain moldy lemons

    Porcelain moldy lemons

    2019-

    Works are inspired by the time it takes until something good can turn rotten. Having ideas to work with lemons, buying lemons, only to finally get to the project and find them already spoiled. Using the making lemonade out of lemons anology, it was important for me to keep that moment. A slight change in perspective. Thats what #motherhood is all about. Using time wisely, getting things done for yourself. Knowing there are mistakes, reality of mold. Mistakes judged by the perfectionism of society standards. This is my work honoring that.

  • Eating lemons

    Eating lemons

    video 2020

    The world is but one big beautiful lemon, and we have to eat it.

  • Instead of doing the dishes,

    Instead of doing the dishes,

    I will draw them. 2019-

    Dedicating time before the big clean up to document by line drawings that provide a lightness to the situation. The heavy reality of the mess. Here, I am eager to create art from this mess. A small pause, a meditation, a creative outlet to this frustrating messyness created day in and day out.

Angelina Seibert
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