Kategorie: video

  • divine feminine affirmations

    divine feminine affirmations

    2024 Video Performance ca. 15 min

    In this 15 minute performance, I recite a divine feminine affirmations meditation while folding laundry..  

    I am a sacred being.

    I am tuned into my sensuality.

    I love my Body.

    More and More I exude beauty and grace.

    I am a sacred being. I enjoy my sexuality. I fall inlove with my beauty. I am fully embodied, I relish in my sexual feelings. I am a sacred being. I embrace my emotions with love. I am open to intimacy and sacred touch. I honor my desires in a nurturing way. I feel pleasure in my body. I am receptive. My feminine nature enjoys movement and flow. I am a sacred being. I connect with others with ease now. I feel safe being connected. I honor my sexual desires. Like water I am powerful, fluid and flexible. I am a sexual being. I allow myself to enjoy the sweetness of life. As a woman I have incredible attracting powers. I feel my desires now, I am aware. I am a sacred being. I admire my favorite places of my body. It is safe for me to feel all of my feelings. In relationships I maintain my own goddess center. I feel empowered in my feminine nature. Healing energy flows through my womb space. I am a sacred being.

    I recite the affirmations until I am no longer visible, but you can still hear me

  • Departures with Sim Chi Yin

    Departures with Sim Chi Yin

    During my final semester at the University of Visual Arts Dresden, I participated in a workshop focusing on archival practices and artistic approaches to the archive. The resulting catalogue, presented below, includes descriptions of the works by all participating students. I was also involved in the design and visual development of the publication.

    The downloadable PDF contains the complete catalogue.

    Below, you will find the video work I produced for the exhibition: These Days Are Gone (2025).

    These days are gone, 2025, single channel, 4:3, sound, colour, 7:56 min. 

  • Etwas Ausbaden Performance

    Etwas Ausbaden Performance

    BIAS FLINTA projects room in cooperation with Darius Sidlauskas

    ( SD drua ), Dresden

    Two people running around in a circle for over an hour. One person is marching from bucket to bucket filled with mud and dirt, while the other person is cleaning the mess from behind only for it to be walked over again. The cycle continues. The two people in the room are loud. The marching is almost like a machine, pounding away. The person cleaning is sighing from exhustion and breathing heavily due to the cleaning effort. Both people to tired from the marching and the cleaning but continue on. The person doing the cleaning is hanging up the sheets used, creating a barrier, a wall. Viewers can no longer see the people caught cleaning and marching. Etwas Ausbaden is german for to take the blame, to pay for it. While upon hearing the phrase, I noticed how odd it is that it has something to do with the dirty bath water. I learned that families in the past shared a bath. The man of the house would go first to bathe in the clean water, and so on the heirarchy of the family had to bathe in the dirty water of who came before. The one who is last, normally the slave child who bears the brunt and has to also clean the bath at the end. This system, is still very much how we structure our lives around still, and it is us, who have to pay for it and pour out the dirty water.

  • Mystery girl

    Mystery girl

    2013, while living at the Wagenhalle in Stuttgart. Sarah Beekmann and I ran around the lot while she filmed with her 16 mm camera- this is the result. The title stems from the song Mystery girl by the Yeah Yeah Yeahs. So be sure to have that in mind while viewing this.

  • No Mistakes

    No Mistakes

    video

    In slow motion, a carpet beater, similar to one you may remem-
    ber from your grandparents’ household, slaps a bare bottom.
    But instead of leaving painful skin behind, the tool shatters
    into a thousand pieces—luckily! For Angelina Seibert, the car-
    pet beater with its curved and intertwined ornamentation
    symbolises infinity: continuously, the beater tries to spank the
    bottom. A gesture of chastisement—one was not obedient,
    one was not virtuous enough… physical or corporal punish-
    ments are means that are frowned upon today. Yet it is the
    metaphor of a patriarchy that at times very persistently tries
    to beat her, which the artist transfers into the works Green
    and Blue and Carpet Beater, but certainly not without a wink.

    https://kunsthausdresden.de/wp-content/uploads/2023/01/230308_Closeness_Guide_EN_FINAL.pdf
  • Oh Mommy

    Oh Mommy

    video 2019

    Running out of led, I am trying to focus on the paperwork while my two small children jump and play on my back.

  • Eating lemons

    Eating lemons

    video 2020

    The world is but one big beautiful lemon, and we have to eat it.

Angelina Seibert
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