Autor: angelinainblue22

  • Etwas Ausbaden Performance

    Etwas Ausbaden Performance

    BIAS FLINTA projects room in cooperation with Darius Sidlauskas

    ( SD drua ), Dresden

    Two people running around in a circle for over an hour. One person is marching from bucket to bucket filled with mud and dirt, while the other person is cleaning the mess from behind only for it to be walked over again. The cycle continues. The two people in the room are loud. The marching is almost like a machine, pounding away. The person cleaning is sighing from exhustion and breathing heavily due to the cleaning effort. Both people to tired from the marching and the cleaning but continue on. The person doing the cleaning is hanging up the sheets used, creating a barrier, a wall. Viewers can no longer see the people caught cleaning and marching. Etwas Ausbaden is german for to take the blame, to pay for it. While upon hearing the phrase, I noticed how odd it is that it has something to do with the dirty bath water. I learned that families in the past shared a bath. The man of the house would go first to bathe in the clean water, and so on the heirarchy of the family had to bathe in the dirty water of who came before. The one who is last, normally the slave child who bears the brunt and has to also clean the bath at the end. This system, is still very much how we structure our lives around still, and it is us, who have to pay for it and pour out the dirty water.

  • Art Basel linoleum print series

    Art Basel linoleum print series

    My father ignoring Tracy Emin, 2016. Linoleum print 160 cm x 200 cm.

    Two people viewing David Wojnarowicz’s Cal ( Factory Head ), 2016. Linoleum print, 180 cm x 200 cm.

    Gallerist at work, 2016. Linoleum print 200 cm x 130 cm.

    exhibition view Eine frage der nähe/ a Question of closeness, Kunsthaus Dresden, Eine Frage der Nähe
    Exhibition view of Lonely Mom world at kulturwerkstatthaus; Luckenwalde
    Bricks, exhibition view at Discovery Art Fair, Frankfurt am Main

  • Mystery girl

    Mystery girl

    2013, while living at the Wagenhalle in Stuttgart. Sarah Beekmann and I ran around the lot while she filmed with her 16 mm camera- this is the result. The title stems from the song Mystery girl by the Yeah Yeah Yeahs. So be sure to have that in mind while viewing this.

  • Reflecting FLINTA* Perspectives 2024

    Reflecting FLINTA* Perspectives 2024

    FLINTA* PERPECTIVES (16.3. – 5.4.2024)
    During the month of Feminist Fight day/ International Women’s Day, the exhibition “Reflecting FLINTA Perspectives” presents a collaboration between BIAS Contemporary FLINTA* Project (Dresden) and the FLINTA* members of Kunstverein ROTER KEIL (Graz).
    Reproduction is a central concept, with many artists exhibiting reproductions of work, and reflecting themes such as reproduction of the self, reproduction of violence, reproduction of life.
    ARTISTS: Amalija Lalić Stanić, Angelina Seibert, Anja Herzog, Antje Meichsner, Belinda Winkler, Caroline Beach, Deborah Geppert, Dina Zaitev, Eve Prechtl, Friederike Butter, Hannah Doepke, Helene Thümmel, Lotte Dohmen, Lisa Maria Baier, Mia Heidler, Maria Schneider, Noemi Durighello, Olya Kroytor, Patricia Westerholz, Ren Aldridge, Suntje Sagerer, Yulia Ostheimer
    LOCATION: KEIL Gallery, Idlhofgasse 62, 8020 Graz
    OPENING: 15.3.2024, 19:00
    OPENINGHOURS: 16.3. – 5.4.2024, MI -SA: 15-18 Uhr

  • Atelier Art DASS grand opening

    Darius Sidlauskas & Angelina Seibert Ateiler and Workshop house

    In the summer of 2023 we opened up our Atelier/Studio/Workshop house and took part in the Kultur Sommer im Silberland program in which I hosted a collage workshop for children and adults and also celebrated our opening with a small exhibition, with our works and the work produced at the collage workshop.

  • No Mistakes

    No Mistakes

    video

    In slow motion, a carpet beater, similar to one you may remem-
    ber from your grandparents’ household, slaps a bare bottom.
    But instead of leaving painful skin behind, the tool shatters
    into a thousand pieces—luckily! For Angelina Seibert, the car-
    pet beater with its curved and intertwined ornamentation
    symbolises infinity: continuously, the beater tries to spank the
    bottom. A gesture of chastisement—one was not obedient,
    one was not virtuous enough… physical or corporal punish-
    ments are means that are frowned upon today. Yet it is the
    metaphor of a patriarchy that at times very persistently tries
    to beat her, which the artist transfers into the works Green
    and Blue and Carpet Beater, but certainly not without a wink.

    https://kunsthausdresden.de/wp-content/uploads/2023/01/230308_Closeness_Guide_EN_FINAL.pdf
  • Teppichklopfer

    Teppichklopfer

    Carpetbeater 2022, Silicone

    This Carpet beater, used to beat the rugs to rid them of dust and dirt shares the same qualities as a celtic symbol of eternity: The Trinity knot. The work goes on and on. The beating out of impurities. In this silicone sculpture, it has been transformed into a dildo that is ejeculating. This was my response to woman’s rights being taken away. This is my own symbol of the patriarchy in America today.

Angelina Seibert
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